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Joshua Doležal's avatar

I had a fantastic office -- in an old building with high ceilings, wood paneling, and a solid door for privacy. I intentionally kept my desk facing toward the window, so it wouldn't be a barrier between me and any visitors. But I hear what you're saying about the status and power thing, because a lot of students seemed to be intimidated by the wall full of books. Even so, it was a home of sorts, and I got some excellent writing done there for the reasons Cynthia is suggesting (I think): it was my own. Part of me died when I walked out of there on my last day.

My writing desk is now in my bedroom. It has a nice view of a field on our acreage, with a long sightline to the north and west, where I can see a mountain range far in the distance. Neuroscientists say that long sightlines and high ceilings -- spaciousness -- is conducive to creativity. But I think there is something about the bed behind me and the other reminders that it's a hybrid space that has limited my creative output. I can write journalism there and the kind of nonfiction that I produce most weeks on Substack. But it may be one reason why the memoir I thought I'd have finished by now is still barely begun, and why the novel idea that I mull over before falling asleep is, as yet, an unarticulated thought. This is a half-baked idea, and I'm sure there are all kinds of exceptions to it, but I think that because meaningful creativity requires risk, it also requires a foundation of safety. I wonder if one therefore needs a space where there is no chance of intrusion, a space fully within one's control, to really yield to creativity. An interesting hypothesis. If true, then it means that I may need to stop working from home.

Liz, I hope you find such a place for your new writing life.

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Cynthia Erb's avatar

I had a lot of thoughts about this. I was an English professor. I squeaked through tenure and now recognize my status in the Dept. Was diminished afterward. When the Dept. Moved to another building, the chair made office assignments himself. It was an old building: some offices were grand, others quite small. I got a tiny place and tried not to mind it but knew the symbolism of the thing. I’m retired now and trying to invent myself writing fiction. Although it was hard, I rented an office in a historic building downtown. It’s changed my relationship to my writing. I wish I had done this years ago. No academic office ever made me feel this way.

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